In the overview of publications below we have included both the most important publications in each of the named fields – to give a better overview of the field as a whole- and our own publications.
History of Sound
Aasman, S. (2004).
Ritueel van huiselijk geluk: een cultuurhistorische verkenning van de familiefilm. Amsterdam: Het Spinhuis.
Dijck, José van (2006).
‘Record and Hold. Popular Music between Personal and Collective memory.’ Critical Studies in Media Communication 23: 5: pp.357-74.
Dijck, José van (in print).
Mediated Memories: Cultural Memory in the Digital Age. Stanford: Stanford University Press.
Draaisma, Douwe (2001).
Waarom het leven sneller gaat als je ouder wordt. Over het autobiografische geheugen. Groningen: Historische Uitgeverij.
Grainge, Paul (2000).
Nostalgia and Style in Retro America: Moods, Modes, and Media Recycling, Journal of American and Comparative Cultures, 23, 1, 27-34.
Kenney, William H. (1999).
Recorded Music in American Life. The Phonograph and Popular Memory, 1890-1945. Oxford: Oxford University Press.
Schulkind, Matthew D., Laura K. Hennis & David C. Rubin (1999).
Music, emotion and autobiographical memory: They’re playing your song, Memory and Cognition, 27, 6, 948-955.
Cultural History of Technique
Bijker, Wiebe E., Thomas P. Hughes & Trevor J. Pinch (Eds.) (1987).
The Social Construction of Technological Systems: New Directions in the Sociology and History of Technology. Cambridge, MA: MIT Press.
Bijsterveld, Karin (2002).
A Servile Imitation. Disputes about Machines in Music, 1910-1930. In Hans-Joachim Braun (Ed.), Music and Technology in the 20th Century (pp. 121-134). Baltimore: Johns Hopkins University Press.
Bijsterveld, Karin (2004).
‘What Do I Do with My Tape Recorder…?’: sound hunting and the sounds of everyday Dutch life in the 1950s and 1960s. Historical Journal of Film, Radio and Television, 24, 4, 613-634.
Bijsterveld, Karin & Pinch, Trevor (2004).
Sound Studies: New Technologies and Music. Social Studies of Science, 34, October, 635-648.
Bijsterveld, Karin & Marten Schulp (2004).
Breaking into a World of Perfection: Innovation in Today’s Classical Musical Instruments. Social Studies of Science, 34, October, 649-674.
Douglas, Susan J. (1999).
Listening in. Radio and the American Imagination from Amos ‘n’ Andy and Edward R. Morrow to Wolfman Jack and Howard Stern. New York: Times Books.
Haring, Kristin (2003).
The ‘freer men’ of ham radio: how a technical hobby provided social and spatial distance. Technology and Culture, 44, 4, 734-761.
Hommels, Anique (2005).
Unbuilding Cities. Oduracy in Urban Sociotechnical Change. Cambridge, MA: MIT Press.
Kline, Ronald (2000).
Consumers in the Country: Technology and Social Change in Rural America. Baltimore and London : Johns Hopkins University Press.
Oudshoorn, Nelly & Pinch, Trevor (2003).
How Users Matter. The Co-Construction of Users and Technology. Cambridge, MA: MIT Press.
Rooijakkers, Gerard & Gerding, Michiel (Red.) (2001).
Volkskunde: de rituelen van het dagelijks leven. Utrecht: Nederlands Centrum voor Volkskunde.
Smith, Meritt Roe & Leo Marx (1994).
Does Technology Drive History? The Dilemma of Technological Determinism. London [etc.]: MIT Press.
Tilley, Christopher Y. et al. (Ed.) (2006).
Handbook of Material Culture. London [etc.]: Sage.
Tichi, Celia (1991).
Electronic Hearth. Creating an American Television Culture. New York and London: Oxford University Press.
Arts and Science research into mediated sound and memory
Aasman, S. (2004).
Ritueel van huiselijk geluk: een cultuurhistorische verkenning van de familiefilm. Amsterdam: Het Spinhuis.
Dijck, José van (2006).
‘Record and Hold. Popular Music between Personal and Collective memory.’ Critical Studies in Media Communication 23: 5: pp.357-74.
Dijck, José van (in print).
Mediated Memories: Cultural Memory in the Digital Age. Stanford: Stanford University Press.
